Stadler (Joseph Constantine)

after Joseph Farington, from Boydell’s ‘History of the River Thames’, a river view towards the north end of London Bridge, then aligned with the church of St Magnus the Martyr, and the Monument to the Fire of London, both now largely obscured by later buildings occupying the land reclaimed by the new London Bridge being located further to the west,

aquatint printed in bistre ink, 220 x 325 mm. (8 5/8 x 12 3/4 in), on Whatman wove paper watermarked 1811, [c.f. Abbey Scenery 432],