The Etching Revival, spanning from around 1850 to 1930, was a resurgence of interest in etching as a fine art form. Prior to this period, etching had been largely relegated to commercial and illustrative purposes. However, artists like James Whistler and Samuel Palmer revitalised the medium, treating it with the same seriousness as painting or sculpture. They explored its potential for nuanced line work, tone, and texture. The revival was especially potent in France and Britain, where artists’ societies dedicated to etching were established. Through exhibitions and publications, these societies helped etching gain critical acclaim and commercial success. The Etching Revival therefore not only resuscitated a dying art form but also enriched the broader landscape of visual arts.